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It also reminds the listener that THIS IS MUSIC FROM such-n-such FILM and not some classical movement from a forgotten symphony. inept overplacement of dialogue bits detract from the music. When dialogue is added, sparsely and creatively, its okay, but like with RAY & ARACHNOPHOBIA. It may be that, in some cases, a composer like Newman, feels creative placement of dialogue enhances the original purpose of the music when separated from its inspirational source (ie the film visuals). Here too was some great music absolutely devastated by some useless dialogue from the film. That reminds me of the soundtrack album of "Rover Dangerfield" which also was produced by Newman. Samples from the film make the CD a better listening experience.Īnd although I usually enjoy all of David Newman`s creative decisions I do have to disagree this time. Since Newman himself produced the album I guess he for whatever reasons thought that those The dialogue parts really destroy the listenig experience. What a fantastic score and what a fantastic release by Percepto.īut why did they put dialogue over some of the score ? "Blanket`s Dream" and "Busby Berkley" are such terrific cues. Nice is nice, and what's more, it's.General Discussion: Brave Little Toaster CD

Supreme Commander: Don't fall for this goody-good fluff! Tinselina: Let's hear from the little tot! Toaster: Does he seem like the evil sort?Īppliances (variously): Do we believe him? Supreme Commander: They scratch your enamel! Supreme Commander: They smell like a camel Supreme Commander: They fight and make messes! Supreme Commander: With humans who cheat! Supreme Commander: We're not falling for. Toaster: But power's a weak person's crutch Supreme Commander: The power is in the wrong hands Washer, Mixer: Is a human a friend or foe? Toaster: Hey! Kindest creatures I've ever seen! Supreme Commander: They're wasteful, distasteful and mean! Toaster: Then, my platform has one plank too Supreme Commander: Let the campaign begin!